![]() ![]() The cool thing is that once you take the first shot, you can often see that image on the LCD before taking the second shot-that way you can be very precise with your layered composition. You select how many images you want to take, it figures out the overall exposure. Most modern cameras have a multiple exposure mode that does all the metering for you. This proved to be a very effective layered image. I did this by opening the shutter when her hands were over her face, then, while holding her head very still, she lowered her hands. I then took the multiple-exposure strategy to the next level by creating an image in which you can see through my grandmother’s hands to her face. We used this multiple exposure technique to create a ghost of my grandmother surrounding my grandfather. Once I metered the scene and figured out the exposure, I divided the shutter speed in half and took two shots that would equal the whole exposure. I had a lot of fun with my grandparents one day with my Mamiya C220 film camera (Figure 10). Experiment with time, but a good starting point for a 10-second exposure is to have the model stand in one spot for 4 seconds, move in 2 seconds, and hold the second position for the remaining 4 seconds.Īnother way to do this is with multiple exposures, which you can shoot in a single frame if your camera has a multiple exposure mode. Have your spirit stand in two places during the exposure. If the model stays for more time, they will be more solid if less time, you’ll see through them even more.Īnother way you can create an eerie sense of movement is by adding “multiple personality ghosts.” You can do this a few different ways. If you have a 10-second shot and your model moves out of the scene after 5 seconds, the camera will continue to expose and you’ll be able to see through their body. Whether you turn off all the lights in the room or go outside during the day or night, you will need an exposure between 10 and 20 seconds to form a proper ghost (Figure 4). You will need dim conditions (or that neutral density filter) to achieve a long exposure. The Boo Basicsįirst, figure out your base exposure. Take your flash off your camera and trigger it by hand or with a wireless remote-this will also create more depth to your scene.įinally, a neutral density filter will help you attain longer exposures, especially if you want to “catch a ghost” during the day. While you can use flashlights and LEDs to create more abstract ghosts, a flash is a must for “capturing” a spirit with more detail. A Vello Shutterboss II or remote release will help you achieve exposures longer than 30 seconds, which can be very helpful in darker scenarios.Īnother item is something we don’t always use as much in our regular night work: a flash. ![]() Any body and lens that has manual controls and manual focus options will do.Ī tripod is key-you need something solid to put your camera on so you can capture the spirits moving through the frame. But rather than the effect being an accident, how can we control it and bring these “spiritual beings” into existence? Ghostly Gear Of course, we’ve all seen a ghosting effect in some of our images-when our exposures get longer and a person moves through.
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